REGRET, REPENT, REJOICE

WORKS CITED

Anonymous.  "The Creation of 'Amazing Grace'."  Library of Congress website. https://www.loc.gov/item/ihas.200149085/

Bruce, Dickson, D. Jr.  And They All Sang Hallelujah: Plain-Folk Camp-Meeting Religion, 1800-1845.  The University of  Tennessee Press,  1973.

Caron, Christina “‘To Kill a Mockingbird’ Removed from School in Mississippi.  The New York Times,  October 16, 2017.

Eskew, Harry,  and James C. Downey.  "Shape-note hymnody."  Grove Music Online. Oxford Music Online.  Oxford University Press.  Web. 29 Oct. 2017.  <http://www.oxfordmusiconline.com/subscriber/article/grove/music/25584>.

___.  "Introduction" (to Southern Harmony, and Musical Companion). ccel.org, http://www.ccel.org/ccel/walker/harmony/files/intro.html.  Accessed 26 October 2017.

___.  "William Walker and His Southern Harmony."  Baptist History and Heritage,  vol. 21,  no. 1,  1986,  pp. 19-26.

The Federal Writers; Project of Kentucky, Works Progress Administration (FWPK).  The Southern Harmony Songbook, a Southern Harmony reprint.  Hastings House,  1939.

Foote, Henry Wilder.  Three Centuries of American Hymnody.  Harvard University Press, 1940.

Jackson, George Pullen.  White Spirituals in the Southern Uplands.  The University of North Carolina Press,  1933.

Loftis, Deborah C.  "Southern Harmony Singing: a Tradition of Shape-Note Practice."   Performance Practice Review,  vol. 3,  no. 2,  article 5, 1990,  pp. 165-169.

Marini, Stephen.  "From Classical to Modern: Hymnody and the Development of American Evangelicalism, 1737-1970."  Singing the Lord's Song in a Strange Land: Hymnody in the History of North American Protestantism,  edited by Edith L. Blumhofer and Mark A. Noll,  University of Alabama Press,  2004,  e-book.

Martin, Lori.  Professor of African-American Studies, Louisiana State University. Email conversation, May 29, 2018.

Miller, Kiri.  Traveling Home: Sacred Harp Singing and American Pluralism. University of Chicago Press,  2008.

David W. Music. "Baptist church music."  Grove Music Online. Oxford Music Online.  Oxford University Press.  Web. 29 Oct 2017.  <http:/www.oxfordmusiconline.com/subscriber/article/grove/music/46763>.

Norton, Kay.  "Who Lost the South?"  American Music,  vol. 21, no. 4,  Winter 2003,  pp. 391-411.

___.  "Reading Between the Lines: Slaves, Women, and Native Americans Reflected in an Important Southern Hymnal of 1810." Singing the Lord's Song in a Strange Land: Hymnody in the History of North American Protestantism,  edited by Edith L. Blumhofer and Mark A. Noll,  University of Alabama Press,  2004,  e-book.

Sutton, Brett.  "Shape-Note Tunebooks and Primtive Hymns."  Ethnomusicology,  vol.  26,  no. 1,  January 1982,  pp. 11-26.

Stern, Andrew.  "Southern Harmony: Catholic-Protestant Relations in the Antebellum South."  Religion and American Culture: a journal of interpretation,  vol. 17,  no. 2,  2007,  pp. 165-90.

Stowe, David W.  How Sweet the Sound: Music in the Lives of Americans.  Harvard University Press,  2004.

Walker, William, ed.  The Southern Harmony, and Musical Companion.  Thomas, Cowperthwait & Co., 1845.

___. The Southern Harmony, and Musical Companion.  J.B. Lippincott & Co., 1847.